Anselm Feuerbach
1829-1880 German Anselm Feuerbach Location German painter. He studied in Germany, Paris, and Rome, spending much of his life in Italy. He sought to produce works of pure classicism that were both didactic and idealistic. Most of his famous works belong to his Roman period (1856?C73), including Battle of the Amazons (Nuremberg), Iphigenia (Stuttgart), and Medea (Munich). His portraits have withstood critical opinion better than his history paintings. His autobiography (1882) emphasizes his misunderstood genius.

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Anselm Feuerbach Iphigenie oil painting


Iphigenie
1862(1862) Medium Oil on canvas cyf
Painting ID::  84516
Anselm Feuerbach
Iphigenie
1862(1862) Medium Oil on canvas cyf
   
   
     

Anselm Feuerbach Self portrait oil painting


Self portrait
1852(1852) Medium Oil on canvas cyf
Painting ID::  84801
Anselm Feuerbach
Self portrait
1852(1852) Medium Oil on canvas cyf
   
   
     

Anselm Feuerbach Zigeunertanz oil painting


Zigeunertanz
Date 1853(1853) Medium Oil on canvas Dimensions Deutsch: 113 x 80 cm cjr
Painting ID::  86787
Anselm Feuerbach
Zigeunertanz
Date 1853(1853) Medium Oil on canvas Dimensions Deutsch: 113 x 80 cm cjr
   
   
     

Anselm Feuerbach Iphigenie II oil painting


Iphigenie II
1871(1871) Medium Oil on canvas Dimensions 200 x 132 cm cjr
Painting ID::  88018
Anselm Feuerbach
Iphigenie II
1871(1871) Medium Oil on canvas Dimensions 200 x 132 cm cjr
   
   
     

Anselm Feuerbach Self-portrait oil painting


Self-portrait
c. 1854(1854) Medium oil on canvas Dimensions 92 x 72 cm cjr
Painting ID::  89188
Anselm Feuerbach
Self-portrait
c. 1854(1854) Medium oil on canvas Dimensions 92 x 72 cm cjr
   
   
     

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     Anselm Feuerbach
     1829-1880 German Anselm Feuerbach Location German painter. He studied in Germany, Paris, and Rome, spending much of his life in Italy. He sought to produce works of pure classicism that were both didactic and idealistic. Most of his famous works belong to his Roman period (1856?C73), including Battle of the Amazons (Nuremberg), Iphigenia (Stuttgart), and Medea (Munich). His portraits have withstood critical opinion better than his history paintings. His autobiography (1882) emphasizes his misunderstood genius.

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